When it comes to mixing, having your vocals in the right key/pitch solves half of the problem. I am sharing a list of 20 free vocal VST mixing plugins that will help you achieve studio-quality professional vocals.Īlso, check out some great Tabla vsts after you are done with this article.Īutotune and Pitch Correction VST Plugins So this is me dropping my secret vocal arsenal. I understand the pain of not knowing about such plugins to mix your vocals. And simply, tour the world when your song with amazing vocals goes viral. Right now, in 2022, you can create the best record without spending a dime. But, smart bedroom producers know that a lot can be done without losing a kidney. Great plugins are generally paid and might cost a fortune or a kidney in some cases. Knowing how to play with and mix it well requires the right ears, talent, and, most importantly, great-quality plugins. The same techniques are possible with other de-essers like the RX 7 De-ess module, which is largely identical to the De-ess module in RX 6.Vocals are an essential part of music production. Note: This video showcases these de-essing techniques using the De-ess module in RX 6.

You may find it does the trick in softening the blow without sucking all the life out, as a static equalizer might. Likewise, if you have too much cymbal splash in the overheads-to the point that it’s just tearing your head off-give the de-esser a go. Slap a de-esser down around 4 kHz or so, and you may be able to get more authenticity out of a fake amplifier. Because of the innate harshness of many instruments-and because of the way some de-essers can respond quite smoothly-they can be great, band-specific remedies for guitars and drums, particularly overheads.įor guitars, this is especially true on electric axes that make use of amplifier simulators, as emulations often reveal their fakery in the harshness of the high-midrange. This is a bit of a bonus tip, but still, I’ll share it: de-essers are not just for vocals. Experiment with de-essers on other instruments Putting a de-esser before these processes can mitigate some of the unintended side effects.

A bright vocal may be too much for the reverb or the distortion process, calling too much attention to the onset of the ambiance or the harshness of distortion. If you’re planning on sending a little of your vocal to a reverb or a distortion effect, experiment with de-essing the vocal, even a second time, before hitting the verb or the exciter. Try de-essing reverb and distortion effects

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